Digital Photography Visual Quick Tips Review & Ratings

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Digital Photography Visual Quick Tips Review

Visual Quick Tips is definitely is on my "don't leave home without it" list. It is an essential part of anyone's photo bag. For the beginner to expert, Visual Quick Tips stimulates your creativity, reminds you of solutions, and increases the "dynamic range" of your thinking! It is like having a professional photographer readily available as a mentor whispering in your ear "Try this". Easy to read, easy to find your topic, it concisely gives you the answer on how to get a WOW picture.
I have a library of photography "how-to" books, but this one, on two, pages, taught me more about depth of field and assessing the shooting conditions then all of them combined! Sometimes you need a book not to just give you the answers, but to help you ask the questions that will let you take better pictures.
Just when I thought it covered everything, I got to the back chapters on organizing, printing and creative ways of sharing photos! This is one book that will be well used! And the best part is its size is so easy to slip into a pocket or small camera case. I highly recommend it to all digital photographers! I know you will enjoy it. Joyce Carmel

Digital Photography Visual Quick Tips Overview

Would you like a quick, visual way to learn how to take better digital photos, edit and enhance them, make eye-popping prints, and create photo albums, slideshows, and online galleries? Then Visual Quick Tips are for you. Visual Quick Tips will increase your productivity by providing you with shortcuts, tricks, and tips to help you work smarter and faster.* Straight-forward task descriptions* Succinct explanations* Full-color screen shots* Numbered stepsLearn How To:* Choose the best lighting conditions* Control focus and depth of field* Create photo greeting cards and calendars

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Save 45% Off: 101 Quick and Easy Secrets to Create Winning PhotographsReview & Ratings

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101 Quick and Easy Secrets to Create Winning Photographs Review

In his book "101 Quick and easy secrets to create winning photographs" the Author Mathew Bamberg takes us around the world capturing day to day things using various techniques, taking the mundane shot and turning into a visual masterpiece. Bamberg does an outstanding job of describing the photo techniques that he employed as well as the technical aspects of the shot, the use of color, light and shadow, for ground object, background object etc.. Bamberg describes his thought process behind the decision he makes about the framing of the shot, whether to use aperture priority, shutter priority, type of lens etc.
The book is divided into 15 chapters:
Chapter 1 Making your photographs look 3D. This chapter describes how to use objects to give your photo some dimensionality using foreground and background objects.
Chapter 2:Painting with light. The chapter covers using available light vs. flash vs. reflected light
Chapter 3 Adding action to your frame. This chapter covers using long exposures. It also covers taking shots of people in motion and how to convey what they are doing through photography.
Chapter 4. Adding or subtracting shadow. This chapter covers how to use shadows to emphasize the subject as well as how to get rid of unwanted shadows.
Chapter 5. Making Art from architecture. This chap0ter is basically about photographing buildings in interesting ways.
Chapter 6. Creating mood shots using weather. This chapter is about using exposure compensation to bring out color. It's also about using black and white photography to set the mood.
Chapter 7 Beautifying with color. This is about finding color in the shot and then emphasizing it. Making the color jump off of the page.
Chapter 8. Breathing life into people. This chapter is about using the lens, colors they are wearing and the environments they are in to create a photograph.
Chapter 9. Making animal photos sharp and fun. In this chapter Bamberg shows us how to capture the essence of the animal. He really made these images stand out.
Chapter 10. Spicing up photos with lens flare, noise and other unusual effects. Here Bamberg talks about using the settings on your camera and lens to really bring out unusual effects whether is lens flare, distortion or long exposure.
Chapter 11. Composing with landscapes. Here Bamberg covers using focal lengths, aperture, shutter speeds and combining many different camera settings to achieve the perfect shot.
Chapter 12. Shaping up with symmetry. This chapter covers using lines to direct the viewers eye.
Chapter 13. Technical tango. Here Bamberg talks about what equipment and settings to use in different situations.
Chapter 14. Daytime, nighttime, anytime. Here Bamberg talks about using the settings on your camera to capture the brilliance of light and color. Any time.
Chapter 15. Back to the future. Simply said., how to photograph old things and bring visual life to them with color.This book serves as a multipurpose book. It can be used in the classroom and it can be used as reference material and it is very well suited for both.
The book is filled with beautiful photography. It's an easy read. What I really liked about this book is that it will be very easy for the novice photographer to understand and there is something here for the experienced photographer as well. Bamberg really captures the essence of photography in this book. Bamberg really makes the photos in this book come to life and he walks the reader through how to do this. Bamberg did an excellent job writing and editing this book as well. The points he makes are detailed but concise. The book flows very well from beginning to end and yes there are 101 very useful secrets here. This is worth 10 stars in a 5 star limitation.

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Save 45% Off: Mastering Exposure and the Zone System for DigitalPhotographers Review & Ratings

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Mastering Exposure and the Zone System for Digital Photographers Review

Once the setting of aperture, shutter speed and ISO to get an exposure is learned by a photographer, a major problem of exposure is getting the larger range of light seen by the human eye to fit into the more limited range of light seen by a camera, so that the details the eye sees in shadow and bright areas appears as something more than the black and white shown in the image created by the camera. This was the problem that Ansel Adams tried to conquer in the development of the zone system. Many digital photographers are happy just to keep the camera's histogram to the right and manipulate the sliders in software to recover as much data as possible. In "Mastering Exposure and the Zone System for Digital Photographers", Lee Varis offers his somewhat unusual update to the problem.
After a few brief words about workflow and Lightroom software, Varis offers his interpretation of some of Adams' theory, using a black to white tonal scale. Next he discusses camera tonal calibration so that the photographer can set exposure compensation before taking a single image, and then calibrating Lightroom for accurate colors. In the next chapter he presents several images, some in color and others in black-and-white, with his considerations in selecting his exposure. He follows this with a chapter on post-processing, with a heavy emphasis on using LAB color to create pictures that I would characterize as having a lot of visual "pop". There is a chapter on High Dynamic Range (HDR) processing which he refers to as the fine art of cheating, and then he finishes with some speculation on what direction photographic technology will take.
Varis is not for beginners. He assumes the reader will know the relationship between shutter speed, aperture and ISO. He assumes the reader will understand what all of the sliders and buttons in Lightroom and Photoshop do. He even assumes the reader will understand the LAB color space, although I confess that I have found understanding this space difficult (and to my way of thinking, not very useful.) The chapter on HDR covers the facilities in Photoshop and Photomatix Pro in a cursory fashion that will not help most people to understand the use of either software, but which Varis uses as a springboard to further application of LAB color.
The way that Varis is not for beginners is typically shown in his discussion of color calibration. The author almost glosses over the fact that each digital camera, even within the same model line, varies slightly in the accuracy of the color it captures, and indeed, there are some colors that it are beyond the capability of many cameras to capture accurately. To compensate for that Adobe in Lightroom and Adobe Camera Raw provides a color calibration facility. Bit even the profiles provided by Adobe reflect only certain averages for cameras and are not usually accurate for the individual camera. To come as close as possible as the actual color of subjects, Varis recommends calibrating the processing software to the individual camera. (Indeed, for certain uses such as product photography it may even be necessary to calibrate the camera for the individual shoot. That's why manufacturers like X-rite sell color charts to aid in accurate calibration.)
Most photographers are happy enough with the profiles provided by Adobe, if they even care about calibrating their camera. But for those who do care for a greater degree of accuracy Varis provides instruction in the proper way to color calibrate an individual camera.
Ultimately all of this calibration only moves the image to a few parts of a stop greater range and many photographers may not think it worth the effort. Add to that that Varis occasionally offers unusual advice like setting the contrast slider in Lightroom to zero to start with rather than Adobe's default setting of 25 and readers may wonder about his advice.
Still there is an audience for this work. The skilled photographer who is not satisfied with the standard RGB color space and is interested in exploring some new techniques which may or may not prove helpful may wish to explore this book.

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Into Your Digital Darkroom Step by Step Review & Ratings

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Into Your Digital Darkroom Step by Step Review

I was struck by the title of this book. Yet the title is quite apt.
In traditional film work, a lot of the magic takes place in the dark room where cropping, dodging and other techniques can be used to create the effects needed. In digital photography these effects are created in the computer by directly manipulating the digital image. ==This book is a introductory level, step by step guide to fixing common problems found in digital photographs. The terminology used in digital photography is filed with terms unfamiliar to the beginning user. Here various effects are clearly illustrated, one by one to show what each does under controlled circumstances.

Into Your Digital Darkroom Step by Step Overview

Everything photographers need to become comfortable with the latest advancements in digital imaging is provided in this guide. The most prominent photo-editing software is discussed, including Adobe Photoshop, Adobe Photoshop Elements, JASC Paint Shop Pro, Corel Photo-Paint, Corel Painter, and Picture Man, with a look at the differences between Macs and PCs and requirements for memory and processor speed. Outlining five distinct states of digital photographic manipulation, from input and image sizing to output and printing, photographers learn the keys to producing professional-quality results from digital photographs with the latest in digital imaging software.

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Save 30% Off: The Adobe Photoshop Lightroom 2 Book: The Complete Guide for Photographers Review & Ratings

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The Adobe Photoshop Lightroom 2 Book: The Complete Guide for Photographers Review

Adobe began shipping its new Lightroom 2.0 (LR2) software at the end of July. A week later this book was available. It made me think that Martin Evening is really a team of writers, each working on a chapter of this book, or even some smaller portion, and that the publisher, Peachpit, must have incurred huge overtime costs. (Actually, the software was available in beta form for a long time, and authors had final copies of the software before it was delivered to the public.) There are enough changes in version 2.0 that this early edition is welcome for people who want more details.
After an introduction to the software, Evening goes through each of the modules in LR2, explaining what the sliders, radio buttons and check boxes do, and occasionally discussing his preferences and techniques for using the software.
I suspect that with the large installed base of Lightroom, most of the people anxious for details will be using an upgrade, and might prefer a book equivalent to Ben Willmore's "Adobe Photoshop CS3: Up to Speed" which just dealt with the new elements in an image processing software upgrade. On the other hand, there are a lot of new features in LR2, and the software is so integrated that it may be useful for experienced users to review all of the capabilities.
Even though it's comprehensive, new users may be a bit overwhelmed by Evening's work, especially since it often is far more detailed than a beginner needs. The discussion of sharpening and noise reduction may seem like a foreign language to someone who has never used Unsharp Mask. While past performance is no indication of future performance, newbies might do better to wait for something that will probably be more accessible, like Scott Kelby's "The Adobe Photoshop Lightroom 2 Book for Digital Photographers (Voices That Matter)" which is presently scheduled for a September release.
The book shows the pressure of early release with some typos and repetitions. On the other hand, Evening describes many of the features in more detail than the tutorials that are available on line.
I found it difficult to view the screen captures of the LR2 menus. This is no doubt due to the fact that LR2's menus are in shades of gray that are highly visible on a monitor, but less so on a printed page. I for one would have no objections if publishers would increase the contrast so that seeing the menus would be easier.
This book is about the technical use of Lightroom. It doesn't talk much about how the features can be used for more impressive pictures. For that, one should look at a few of Rob Sheppard's books like "Adobe Photoshop Lightroom for Digital Photographers Only (For Only)" or even better "Outdoor Photographer Landscape and Nature Photography with Photoshop CS2 (Outdoor Photographers)" or (subject to the caveat about past performance) his upcoming "Adobe Photoshop Lightroom 2.0 for Photographers Only", presently scheduled for October release.
If you want to get your hands on a LR2 book right now, this is the only game in town. It's dense, but comprehensive, and for the experienced user, will require some sorting out, but all the information one may need about LR2's new features are included.

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Save 24% Off: The Adobe Photoshop CS4 Dictionary: The A to Z desktop reference of Photoshop Review & Ratings

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The Adobe Photoshop CS4 Dictionary: The A to Z desktop reference of Photoshop Review

As a beginning digital media student, learning how to use Photoshop can be a very time consuming endeavor. Learning how to use it effectively is another thing. One can spend hours, if not days, trying to figure out how to flesh out their ideas onto the screen through photoshop. One may find that process time-consuming if not counter-productive to their workflow if they don't know the program like the back of their hand. This book, however does not help you with that. This is a reference guide and as such, does not hold your hand through your journey with familiarizing photoshop.
Philip Andrews authors a reference guide for Adobe Photoshop CS4 commands. This book caters to the beginning/semi-intermediate end-user as the book describes in short but succinct detail almost every Photoshop option available (There might be more hidden, who knows.)
The problem with this book lies in its format. Like a dictionary, you can only learn more about the command only if you've encountered it and want to use it, but have no knowledge on the actual tool or command itself.
The publisher however does make it clear that it's a reference tool, not a step-by-step guide to get better at the program (although there is a tiny section at the back of the book that tries to help out).

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Gimp 2 for Photographers: Image Editing with Open Source SoftwareReview & Ratings

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Gimp 2 for Photographers: Image Editing with Open Source Software Review

GIMP 2 for Photographers provides essential help-by-example in the use of the many advanced GIMP tools. It does not claim to be a complete manual, and does not address the paint and art creation aspects of the GIMP. It does an outstanding job demonstrating its use in the advanced photo editing procedures that are normally well beyond the capability of common photo editors, such as the ones bundled with camera software.
The GIMP is often included in desktop Linux distributions. A CD included with the book contains recent versions of the GIMP for Linux, Windows and OS X. It also contains practice images for use with the examples in the book.
After an introductory chapter, the book presents chapters covering correcting and touching up images, using masks and layers - painting, filling, and color tools, and working with black-and-white and color images. A typical exercise describes how to improve a scanned image. The initial image is tilted and needs to be righted, using the angle tool to measure the degree of tilt to be corrected. A moiré effect is removed with the Gaussian blur tool, the levels and curves tools are used to correct the tonality, and contrast is increased for better definition. The different options available for these tools are briefly discussed. Another example shows how to restore an old, faded and scratched picture using various cloning and healing tools.
The use of layers and masks is shown to modify an originally dull landscape photo. The colorless sky is replaced with a blue sky with natural-looking color gradient and some light clouds and a setting sun low in the sky is added. The text tool is then used to convert the image to an Easter card.
Some of the examples towards the end of the book are getting complex enough to go beyond the scope of ordinary photo editing but serve to demonstrate some of the most sophisticated tools available in the GIMP.
I highly recommend this book as an excellent and essential guide to using the GIMP. Adobe's Photoshop Elements 5 may have more bells and whistles, but the GIMP will let you do most of the same editing steps for free. Of course, Linux users don't have a choice and are fortunate to have this powerful editor available.

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Save 27% Off: Photoshop Blending Modes Cookbook for DigitalPhotographers : 49 Easy-to-Follow Recipes to Fix Problem Photos andCreate Amazing Effects (Cookbooks (O'Reilly)) Review & Ratings

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Photoshop Blending Modes Cookbook for Digital Photographers : 49 Easy-to-Follow Recipes to Fix Problem Photos and Create Amazing Effects (Cookbooks (O'Reilly)) Review

Of all the tools available to photographers to manipulate their pictures in Photoshop, one of the least used sets is the blending modes. (Blending is the method by which a color overlaid on another combines. Blending modes generally deal with the way the colors in two layers are combined. Blending of layers is controlled by the little window in the upper left-hand corner of the Photoshop layers palette.) This book aims at training photographers how to use these modes.
The book is divided into three main sections. The first is a general section called "Getting Started with Blending Modes". The next section, "Blending Modes in Detail", describes each of the modes. Finally the cookbook recipes are presented, with an illustration of effects and the steps necessary to achieve those effects. Like most cookbooks, the recipes don't explain what each step does, but the reader can easily refer to the first two sections to understand what is happening.
A typical recipe is one called "Woodworm". It creates an image which looks like an old woodblock with tints from the original photograph. The process of creating the image involves inverting two duplicate layers of the original picture and combining them using the "hard mix" and "pin light' modes".
The recipes presented fall into two camps. In the first very subtle changes are made to a picture to improve it, such as softening too hard a light in a portrait, or cooling down skin tones. Most users of Photoshop will find these recipes helpful. Usually, Photoshop offers some other tool that can achieve similar results.
Most of the images created by using the recipes in the second camp are so different from the originals and so stylized that I don't know if they can be referred to as photographs. There is no doubt that using these recipes can create unique images. The author clearly shows the before and after, with several variations, of each of the latter recipes. However, it's my guess that most photographers will find it hard to visualize most of the results that can be achieved on their own photographs using the recipes provided by the author. On the other hand followers of Freeman Patterson, Andre Gallant or other impressionistic photographers will certainly be interested in these techniques.
Beardsworth's presentation is clear and experienced Photoshop users will have no difficulty in following these recipes. On the other hand, whether you want to achieve many of the results that can be reached by using blending modes in many of the ways that the author presents will depend on the individual photographer. Anyone interesting in developing their Photoshop skills will certainly benefit from exploring blending modes.

Photoshop Blending Modes Cookbook for Digital Photographers : 49 Easy-to-Follow Recipes to Fix Problem Photos and Create Amazing Effects (Cookbooks (O'Reilly)) Overview

Layer blending modes have been part of Photoshop for years, but because they're not easy to understand at first glance, this immensely useful feature tends to get overlooked. Photoshop Blending Modes Cookbook for Digital Photographers is the only recipe-format book that covers blending modes specifically for digital photographers.

The book covers:

Changing hue, saturation, luminosity, and color
Correcting basic color shifts
Repairing highlights
Sharpening or softening focus
Adjusting lighting for subtle or dramatic effects
Controlling contrast
Creating surface effects and textures
Adding interest to landscapes and urban scenes
Enhancing portraits of children and adults
Simulating graphics arts techiques
and much more.
Unlike Photoshop's built-in filters, blending modes don't change the actual pixels that make up an image, so their effects are completely reversible. There are over 20 blending modes in Photoshop CS2, which range from those which darken and lighten images (such as Darken, Multiply, Lighten, and Screen) to modes that increase contrast (such as Overlay and Hard Light) and adjust color (such as Hue, Color. Luminosity, and Saturation).

In addition to covering each blending mode in detail, John Beardsworth, a London-based photographer and author, takes the reader through a whole collection of recipes that demonstrate how to use blending modes alone or in combination to fix problem photos, add subtle effects, and create dramatic images that are truly unique.

With clear, step-by-step instructions, real-world projects, an easy-to-follow format, and hundreds of full-color examples, Photoshop Blending Modes Cookbook for Digital Photographers is shows you how to use blending modes to achieve a wide range of image adjustments and special effects-without having to first learn everything there is to know about Photoshop.


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Save 24% Off: Digital Photography Expert Techniques Review & Ratings

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Digital Photography Expert Techniques Review

I'm impressed with Ken Milburn's insight into producing top-quality digital images. His tips are not always those found in other books on Photoshop or digital photography. For example, Ken recommends slightly underexposing all photos you shoot. Too much light, he explains, can wash out details. But if the subject is slightly underexposed, then lighting can be adjusted in Photoshop without loss of fine details. That's a very useful tip that I had not read anywhere else (in my PS books, at least). He also affords readers sufficient photographic evidence to convince them to use RAW format whenever possible. I shoot in RAW mode all the time now.
Not all of Ken's techniques will be new to digital photographers. The need for a fill flash, uncluttered backgrounds, and a good photo printer are ideas that seem a bit incongruous in a book offering much more advanced advice in later chapters. I think the author was just trying to target as broad of an audience as possible.
Upon reading this solid guide, you will probably notice Ken's preference for 3rd party plugins/filters. He's the first Photoshop author I've read who so strongly advocates the utilization of extra plugins instead of the direct use of Photoshop's built-in technologies. While Scott Kelby would tell you to add a duplicate layer, apply Gaussian blur, and then reduce opacity to accomplish a given task, Ken touts the power of $200 plugins that accomplish the same goal more quickly and sometimes more effectively. Fortunately, comparison photos are often provided to illustrate the differences between the results of Photoshop techniques vs. 3rd party plugins.
Overall, this book is worth owning if you would like some useful tips and tricks from a pro. Just keep in mind the author's bias toward 3rd party products, and expect a few sections on topics that are perhaps too elementary for the rest of the book (e.g., "Take Good Care of Your Printer").

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Save 24% Off: Digital Photography Hacks: 100 Industrial-Strength Tips &Tools Review & Ratings

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Digital Photography Hacks: 100 Industrial-Strength Tips & Tools Review

Are you a digital photographer who is always looking to try something different or learn a new technique for your shooting? If so, you'll like Digital Photography Hacks by Derrick Story (O'Reilly). Like all Hacks titles, the book is made up of 100 ideas or techniques that you can use to do something different or unusual. The hacks fall into the following chapter areas:
Digital Camera Attachments; Daytime Photo Secrets; Nighttime Photo Hacks; Magic With Flash; The Computer Connection; Photoshop Magic; Camera-Phone Tricks; Weekend Photo Projects
The thing I like most about the Hacks series is that if you don't like or can't use one tip, the next one may be exactly what you have been searching for. And this book is no different. To get the absolute most out of the material, you should have a digital SLR or a high-end digital camera that gives you a wide range of control over shutter speeds and aperture settings. You should also have a copy of Photoshop CS, as that tool will allow you to do everything in the PS hacks chapter. But even if you only have a good consumer level digital camera, you'll be able to try out some tricks you may never have thought about.
I particularly enjoyed the hacks on nighttime photography and panoramic techniques. I've always loved the vividness and colors of great night scenes, and there are some great ideas on how to capture those elements. There are also some cool tips for using longer shutter speeds to get light movement effects, such as head and tail lights of cars. As for panoramic photography, I've seen it but never knew how it was done. This book shows you how it works and how best to line up your shots for that type of shooting.
Very good book, great ideas, and you'll enjoy looking at your photography in new and unusual ways.

Digital Photography Hacks: 100 Industrial-Strength Tips & Tools Overview

Your digital camera is more than new incarnation of your old film camera. Yes, it still produces photos, but it also offers new outlets for creativity, including instant gratification of seeing your photos now, the ability to experiment without worrying about expense, the technology to fine-tune your photos with advanced professional techniques, and the means to share your work instantaneously with anyone, anyplace in the world.It's no wonder that digital cameras are outselling traditional cameras for the first time ever. But the question most digital camera users ask is this, "How do I get from taking 'decent' photos to doing the things I'd really like to do? How do I tap into that potential?"

Digital Photography Hacks is your passport to taking the kind of digital photos you've always aspired to.Written by Derrick Story, photographer and author of Digital Photography Pocket Guide and other books, it goes beyond the standard fare of most digital photography books--such as camera basics, understanding memory cards, and when to use a flash--to the things that professional photographers have learned through thousands of shots' worth of experience, years of experimentation, and fiddling and hacking.The book includes a foreword by photographerRick Smolan, author of America 24/7.

With exquisite, full-color photos throughout, the book presents a collection of tips, tricks, and techniques for photographers ready to move beyond the basics.And if you don't have the latest in digital camera photography, this book will show you how to extend the life and functionality of your existing camera.All the hacks in the book are platform-agnostic, designed for use on both Mac on Windows-based computers. You'll find 100 proven techniques in the areas of:

Daytime and nighttime photo secrets
Flash magic
Digital camera attachments
The computer connection
Photoshop magic
Fun photo projects
Camera phone tricks
This book is for the photographer you are now, and the one you want to be. Digital Photography Hacks is for the creative adventurer who resides in each of us.

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