Showing posts with label photography business. Show all posts
Showing posts with label photography business. Show all posts

Sunday, November 27, 2011

Save 67% Off: Profitable Photography in Digital Age: Strategies forSuccess Review & Ratings

Profitable Photography in Digital Age: Strategies for Success
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Profitable Photography in Digital Age: Strategies for Success Review

Anyone who wants to run a successful photographic enterprise should read this book from cover to cover, as it provides a wealth of tips and techniques that will help you keep costs under control, market your services, and grow your business. Whether you're selling posters, postcards, or portraits, you'll find sage advice in these pages. I wish I'd had this book five years ago.

Profitable Photography in Digital Age: Strategies for Success Overview

This groundbreaking resource demonstrates how to use digital imaging and the Internet as the cornerstone of a successful photography business. Topics covered include setting business goals, marketing, setting prices, selling prints, running a Web-based photography business, working with stock agencies, legally protecting images, and more. Both serious amateurs considering a start-up and established businesses looking for fresh approaches need this timely, relevant book.

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Sunday, November 6, 2011

Save 45% Off: Best Business Practices for Photographers Review & Ratings

Best Business Practices for Photographers
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Best Business Practices for Photographers Review

Here's a well written photography book that most photographers will not want to read. That's because it's aimed at professional photographers who already have at least a little business experience under their belt. Moreover, it's aimed at assignment photographers, rather than studio or fine arts photographers, although some of the people who shoot in these genres may benefit from discussions of things like rights, pricing and insurance. It's all business, with no photographic technique or vision (although Harrington certainly does describe business techniques and vision). Finally, even though it's an excellent book, it does not deal with every aspect of the business of photography.
The author begins by reminding the professional photographer that he is in business. There is a brief discussion of equipment in which the author urges the readers to get the best equipment he or she can afford, and a warning that the professional had better consider the logistics of every job.
In another part Harrington discusses working with assistants, employees and contractors as well as pricing, including consideration of factors like retirement accounts and insurance. He discusses hiring accountants and lawyers. To me, the meat of the book is in the discussion of contracts. Besides furnishing the reader with samples of his own documents, he explains essential provisions. There are also chapters on infringement and enforcing contractual rights. There's a brief tour through archiving images, although the essence of Harrington's message is, read Peter Krogh's "The DAM Book", a point with which I heartily agree. The author also touches on the market for stock photographs.
He finishes the book with chapters on care and feeding of clients (literally), training yourself and others, and a discussion of your obligations to your family and community.
A theme that keeps coming through is the importance of protecting your work by making sure you keep your ownership interest in your images and that you charge enough for their use. I agree with Harrington, but he certainly is a little strident on the subject.
I do have bones to pick. He covers the IRS's 20 factors that determine if a person is an employee or a contractor, which is important if you don't want to be responsible for paying that person's Social Security and income taxes. He suggests ways of avoiding the characterization of a person working for you as an employee. However, if you follow his suggestions and comply with federal regulations, you may find yourself paying someone who can't be made useful to you, or alternatively paying those taxes at a later date. Read this section with care so that you understand the regulations, but then discuss it with your lawyer.
There is also a discussion of negotiating indemnity agreements in contracts. I suspect many readers don't even know the consequences of an indemnity agreement, which will make it difficult to negotiate these provisions. Hopefully this will be explained in the next edition.
Finally, Harrington is sometimes hardnosed in his advice for dealing with clients. If you follow his advice, you better make sure your diplomacy skills are also in place.
Photographers who are just getting started in business would probably benefit from reading books like "Starting Your Career As a Freelance Photographer" by Tad Crawford or "American Society of Media Photographers Professional Business Practices in Photography". However, once you are on the road as a professional, this is certainly a must-read book

Best Business Practices for Photographers Overview



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Wednesday, November 2, 2011

Save 34% Off: Microstock Money Shots: Turning Downloads into Dollars with Microstock Photography Review & Ratings

Microstock Money Shots: Turning Downloads into Dollars with Microstock Photography
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Microstock Money Shots: Turning Downloads into Dollars with Microstock Photography Review

I'm familiar with Ellen Boughn so curiosity got the best of me and I bought and read the book. It's a fast read, you can finish it in a day... partially because there is nothing in it that you won't see posted on the microstock sites and the multitude of blogs about microstock.
The blogs and the book have another thing in common too. They are both seeking to profit by convincing photographers to devalue their work. Ellen hopes to sell books by leading you to believe you can make a fortune licensing your work for 25 cents. That's right, a quarter... and one site licenses the work for a mere 14 cents. The blogs by convincing you of the same and then signing up to license your work for less that it costs you to park your car at a meter during a photoshoot and themselves making a referral commission off of any image you license.
One thing quite apparent in reading this is Ellen is VERY AWARE that the advice she is giving is misleading. For example, she mentions that most of the food photos shot for microstock look very unappetizing and that a food stylist with her full compliment of tricks is needed to make the food look good. Then she continues to say that you will not make enough from the image as microstock to cover the cost of the stylist!
This is true. And it is the way of microstock. Convince the photographer that if he only invested more into the shoot he would make a fortune... and knowing full well that he will not. There is a small handful of photographers who do well at microstock this way and they can be counted on the fingers of both hands. However based on some actual payout charts that were once available from iStock, the vast, vast, vast majority of contributors never license enough work in a year to reach the $100 payout threshold. The microstock sites profit from the work and the photographers who created the work get a goose egg. Nothing, zip, zero! As for those who are making big bucks at it, part of that success is that they are held up as poster boys to encourage others to sign up. Also, one has to wonder how much they would be making had they pursued revenue streams that paid what the work is worth!
Ellen sold out AND SHE KNOWS IT. Now she is asking you to do the same so she can profit from selling her own soul. Someone with her years of experience in the industry should be devoting her time to make the industry in which she earns her living a better place, not working to destroy it. And if she was a REAL expert, that is what she would be doing.
Before you buy this book, ask yourself some questions. Let's say you manage to license a photo 100 times on microstock. At a quarter each, that is a whopping total of $25. Doesn't even come close to covering production costs, or even the coffee brought in for the models. Now consider you had recieved what is still an unrealistically low price for your work of just $30 per license... sill way too low but now you are talking $3000 for the same work. Now ask yourself just how it is that someone who is creating an advertising campaign, putting out a magazine, or promoting a national or international product is unable to come up with $30 for a photo?
Is it your job to subsidize their business?
Ellen seems to think so. So much so that I actually had to wonder which of the microstock sites paid Ellen to write it. The book does more to make the lives of the image inspectors and microstock site owners easier than it will do to help you make money.
It is possible to make money at microstock, but the effort and cost involved does not result in a satisfactory return on investment. A photographer who manages to somehow make $25,000 a year on microstock would be making a good $250,000 to $500,000 per year had he put the same effort into landing work that paid fairly.
Save your money, invest it instead on a copy of "Best Business Practices for Photographers" by John Harrington and learn what your work is actually worth and how to get it. Join a professional association and learn how other successful photographers are actually making it work in this business. Ellen is preying on those who have a dream, but have not found the professional resources they need to make their dream a reality. Don't be her next sucker.
Ellen's book was good for a laugh and to see close up a slice of the cancer that is destroying photography. It now lines my bird cage.

Microstock Money Shots: Turning Downloads into Dollars with Microstock Photography Overview

Today's online microstock agencies make it possible for anyone with a camera to sell their photographs. But the competition is daunting--one leading agency receives 14,000 uploads each day. How can you make your images stand out--and better yet, sell? In this guide, industry veteran Ellen Boughn reveals everything you need to know, including: . How to get started selling your photos. What sells and what doesn't. How to cast and work with models. The fine print on permits and permissions. How to reach specialty markets like advertising, retail, news, and education Packed with hundreds of examples of photos that sell (and some that don't), Microstock Money Shots is your key to maximizing views and downloads in the exciting new world of microstock.

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